There are times when changes are needed for improving a shot I’m working on. It may involve repositioning the subject or camera, removing a stray object, adding a prop, switching lenses, or some other thing. It may be a minor change or one that’s more involved. However, my problem, at times, is that I'll get too lazy to fix the issue. I know an alteration is needed, but I can’t muster the energy to do anything about it. I’m not sure why this happens. Perhaps it's just a mood that hits me. In these instances, I'll simply ignore the needed changes, continue shooting, and hope some magic occurs that will save the photograph.
That magic, if it’s to happen, usually comes when I reevaluate the photo later at my office. I’ll examine the RAW file on my large, high-quality monitor. This gives me a much better read than the small, low-quality JPG image that appears on the camera’s monitor (Note: whether shooting in RAW or JPG, the image on the camera’s monitor is most likely a JPG). Also, my frame of mind will be different from what it was during the photo shoot. I’ll no doubt be more relaxed and able to see possibilities I previously may have missed. What I might ultimately discover is that I really like the picture. If not, I’ll search for ways to fix the problems using one of my digital editing programs.
So, it’s more or less of a crap shoot. If I end up liking the photograph as is or with some post-production changes, I’ll keep it. If not, it's trashed.
The high-angle position of the camera works well. The elements of the shot I wanted to emphasize are clearly visible - the model, sign, various locks, and the disproportionately large door. Initially, I planned to remove the extension cord, which was powering my strobes. However, laziness won out. Luckily, after viewing the image in my office later on, I realized how much I liked the cord snaking around under her. I think it’s an attractive design element.
Deborah was sitting behind a wall smoking, as if trying to stay out of view. I wanted to position myself a few inches to the left so that more of her face would be visible. As in the previous picture, I was too lazy to move. But, I’m glad I stayed where I was. I feel what’s shown is perfect. In fact, seeing more of her face might have taken the emphasis off both her cigarette and the dramatic bend of her wrist.
I noticed the lopsided blinds on the left window and said to myself, “Oh, I should straighten them before I shoot.” And again, I did not make the effort. And again, after viewing the picture a day later, I was happy I didn’t. The tilt of the blinds adds to whatever else is “off” in the picture - the darkness of the image, the slight angling of the camera, the extreme headroom, and the fact she is wearing sunglasses indoors.
Finding The Shot
Focus And Blur
Lighting The Subject