From The Studio

Greetings to all. Here is eNewsletter 13. I hope everyone is having a healthy and prosperous year.

HARC Photos

HARC Photo 1
HARC Photo 2
HARC Photo 3 HARC Photo 3
HARC Photo 4 HARC Photo 4

(click on photos to enlarge them)

I recently completed a series of annual report photos for The Greater Hartford Association for Retarded Citizens. They were all shot over the course of three days at the association's facility. HARC hoped to show their employees working therapeutically with their clients. But they did not want to stage or pose anything. What they wanted photographed, they said, were the actual interactions.

Because we did not know exactly what to expect at each shooting location, and because I had to move around quite a bit as I shot, I decided to make the lighting very simple. I attached a flash to my camera and pointed it towards the ceiling. This provided a nice soft bounce light that gave a fairly even illumination. With the exception of the top left photo, which was lit from a nearby window, all the subjects were illuminated with a combination of bounce flash and ambient room light. All photography was done with a digital camera.

One last thing. For this sort of subject matter, I feel that color can easily overpower the photo's subjects and composition, the two elements of most importance. One solution is to desaturate the hues a bit... in other words, tone down the color. This I did using Photoshop, and came up with what I think were some very pleasing results.

Some News

STOCK AGENCIES - I recently had a large selection of my editorial work accepted by two American stock agencies. They are Positive Images (part of AGPix) at 978-556-9366 and Unicorn Stock Photos at 308-995-4100. Both agencies were very highly recommended by other stock shooters, and I am excited that they will be handling a good portion of my stock business.

Confused BabyA NEW ADDITION - No, not a baby. However, I had always wanted to move my four foot lightbox into my main office, but never imagined there would be enough room. Determining to find a way, I sat down at my desk, resolving not to move until I had a solution. I visually surveyed the office; north to south, east to west. I thought hard. Then, EUREKA, it came to me. There was an area where a table, with the lightbox on top, could be placed over a bunch of my photo equipment bags. That meant the office's small amount of precious unused space would remain that way. I cannot tell you how happy I was to finally figure this out!!

How I Made This Photo

Here is another photo from my Duck People series. As the subject and I began discussing the setup for the photo, I realized that it might be cool to position the duck in the foreground. But doing this could easily remove the emphasis from the woman. So I placed the duck on a table, off to one side, and made mental notes to throw it out of focus and crop it a bit during shooting.

Duck LadyThe background is a cloth containing brown and other warm tones. It was lit to vary its range of brightness. l have always liked this kind of a background. It is unobtrusive and pretty much neutral enough to work well with most skin tones and clothing.

I placed the subject between the backdrop and the duck. Her main light was positioned to camera left, and her fill light to camera right. I was careful not to let any of that illumination fall onto the backdrop or the duck, both of which were lit separately. My other concerns were that her bright shirt not be over lit, but that some extra light fall onto her beautiful Dennis Peabody dichroic glass jewelry. The results were fine-tuned using Photoshop.

I wanted the subject looking at the duck, contemplating it. We tried a number of facial expressions and hand/body positions. What interests me most about this pose is how her slightly closed eyes intensify her gaze, and the way her long slender fingers gracefully hang in the air.

Bright Ideas LadyAmateur or beginning photographers often ask me what sort of 35mm film or digital camera they should purchase. They often want something very simple to use, since they shoot only "snapshots". I usually suggest they stick with a higher end amateur camera, rather than settling for something with a non-removable zoom lens and limited user settings. I explain that cameras accepting a variety of lenses and allowing the user to vary the settings, give the photographer infinitely more shooting possibilities. And, I remind them, these cameras can still be operated in auto mode, thus providing the photographer with true "point and shoot" capabilities. Then, once their comfort level is high enough, the shooter can start taking more control of the camera himself.

A JOKE ?
A major airline recently introduced a special half-fare rate for wives who are accompanying their husbands on business trips. Anticipating some very valuable testimonials, the publicity department of the airline sent out letters to all the wives of businessmen who used the special rates, asking how they enjoyed their trip.

Responses are still pouring in asking, "What trip?"


Feedback

We would love your comments, both good and bad. Also, is there other content you would like to see in these eNewsletters? If you have a moment, please phone or send us an e-mail. Thank-you.

Peter Glass Photography
15 Oakwood Street
East Hartford, Connecticut 06108
USA
860-528-8559
www.peterglass.com
peter@peterglass.com


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HARC Photo 1 HARC Photo 2 Duck Lady